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It was exactly 10 years ago in the month of August, 2014 when Roland Olubukola Olomola, the ace gospel musician popularly called Baba Ara died. He passed on on August 31, 2004. His death had all the hallmarks of mystery. He died at the height of his popularity and was just 42 years old. In this Interview, Baba Ara’s childhood friend, producer and manager, Adedapo James Fasanya, known as Bengho 2 speaks on how it all happened.
Ten years ago when ace gospel musician, Roland Olubukola Olomola, popularly called Baba Ara, died, the rumour mill was agog with the probable cause of his death. Among the rumours then were that he took ill from a burst of the cocaine sachet that he had ingested and with which he was planning to travel out of the country.Others said that he must have sold his soul to some occult groups to gain fame and wealth, and to die the way he did.
Yet, to another group his death was as a result of the strong feud between him and his bosom friend who is a shepherd in the Celestial Church of Christ. A decade after his death, a lot of people still hold on strongly to these even as his albums still hold sway in the market.
Adedapo James Fasanya known as Bengho 2, is Baba Ara’s childhood friend. He is also the producer and manager of Baba Ara from his first foray into music to his demise. Fasanya recalled that he met Baba Ara in 1990 when he joined the Celestial Church of Christ (CCC), Okiki Imole Parish, Sagamu, Ogun State.
Before then, he said that Baba Ara was living in Kano and usually came to Sagamu whenever there was a special programme. Looking back at how they first met, he said simply that, “it was the choir master that introduced me to him. I was an instrumentalist at the church”. He recalled how young and vibrant the choir of CCC, Okiki Imole Parish was then.
He said that the opinion of the choir then of Baba Ara at the time was that he did not know much about music, although they also identified that he had talent and could sing very well. “At first, maybe because of their impression about him, they had problems with him. As an instrumentalist, we used to correct his style of music as he leaned more on percussion than the instrument. It is not a traditional way of playing,” Fasanya added.
Baba Ara other than heeding to their advice insisted on having his way. Adedapo spoke further, “his concept and style of music were totally different and that created rift between us initially. We were forced at that time to go along with him because he was an active member of the church’s choir. At a point in time, we just tolerated each other for the progress of the choir”. The formation of the Baba Ara Band started from the choir and it consisted of four core members of the choir.
At the formative stage, the band comprised of Baba Ara, Dimeji Shodunke, Hassan Bankole and Fasanya. Speaking on the formative stage, he continued, “we had to sit down and agree on a lot of issues about the church because we were the nucleus of the church choir. Fortunately, the four of us always met on Fridays and Saturdays every week for rehearsals. During rehearsals, we had several disagreements due to the fact that we were from different backgrounds and had different ideas about how the music should flow.
“His concept then was totally new and we tried to modify it in vain. Somehow then, I knew he had a vision” He recalled again that, “the peculiar thing about the man, Baba Ara, was that he received messages from the church to go into full time music. He declined the various messages then. He used to ask aloud, “how can I abandon Food Technology and become a musician?”.
He actually did not want to take to full time music due to the stigma attached to the profession. “During that period, Baba Ara was living with the Shepherd of the Church (CCC, Okiki Imole Parish) as he had left his job in Kano. He served and worked briefly in Kano.
“At a point, Dimeji and I moved in with Baba Ara and we lived together for some time. Our staying together actually built our relationship and understanding of one another. “The first record that is credited to him titled ‘Covenant’ was actually done by the choir of CCC, Okiki Imole Parish.
It was recorded in 1993. After the record of Covenant for the church, Baba Ara sat down with me and Janet Abel who is now in the United Kingdom, he told us about his vision and dreams. We prayed about the forming of a band. That took place in 1994. By then, we had gone with him to record his first personal record, entitled, “The Call and the Anointing”.
Speaking on the core issues discussed at the meeting, he said that the plan was to launch the record, and as at that time he needed a band to support his musical career which led to the meeting that was held by the three foundation members and Baba Ara. The name Baba Ara according to Adedapo was given to him in Kano because whenever he sang, he would start with the lyrics, “Baba Ara, Baba Mimo”.
However, he had a band in Kano before resettling in Sagamu, and the band was known as “Baba Ara and Happy Souls”. When the band was formed in Sagamu was discussing on the issue of name, he wanted them to continue with the same name but they eventually agreed on ‘Baba Ara and Divine Voices International’ in 1994.
After his first record, it was common to see Baba Ara in a tailor’s shop at Eleja Area of Sagamu. He was always at the shop of Baba Hassan, the tailor because he was jobless and that man was his close friend as at that time.
The band faced the challenges of acceptance, because people find the style of their beat strange and different from what they were familiar with. The psychology in that is what people know, they destroy; and what they don’t know, they fight. Even in Celestial circle, the acceptance problem was there as their brand of music was quite different from that of the popular Boroboro, Imole Ayo and others. It was tough for the group due to the low level of acceptance.
Adedapo recounted that, “Indeed, it was a great challenge. The level of acceptance was low and that affected us financially. We had to tax ourselves to fund the band and save money for shows. It was very tough financially.”
Gradually acceptance came. People who listened to the first record, “Covenant” loved it. When asked how the record was promoted, he smiled and said, “we did not have money to market it, neither did we have the financial capacity to push it into the market.” Their second album brought them more fans and the third album- ‘let the world know-Je kaye le mo’ was well received, but they were still grappling with the fan base.
The album that actually launched him was ‘Master Key’. Adedapo spoke on that album, “A lot of people thought that ‘Master Key’ was Baba Ara’s first album, which was very wrong. It was just that, that album was a smash in terms of public acceptance. Our style of music in terms of acceptance was gradual.
“Due to paucity of fund, only audio CDs were initially produced without any picture of Baba Ara on them. When we started, we recorded only audio. There was no picture of Baba Ara on the album and a lot of people did not really know him”, Adedapo spoke about their humble beginning.
“When we shot the first standard video in 2001, that was when people began to know who Baba Ara really was. We started with Z-plus as our marketer and that was in 1996. He was a member of the Celestial Church of Christ. We recorded seven albums with Z-Plus before moving to Galaxy Music”, Adedapo added.
He noted that they had to change marketer because they were not satisfied with the distribution of their former marketer. The late Gbenga Adeboye played a major role in their cross over from Z-Plus to Galaxy Music when they recorded “Master Key”. Galaxy Music did a good video for the “Master Key” tape and also gave it good publicity with Gbenga Adeboye opening his popular weekly shows with the music of Baba Ara. “Probably, that may account for the reason for saying Master Key is Baba Ara’s first CD”, Adedapo said.
His latter days and the rumours surrounding his death even made him more popular after his death than when he was alive. It is apt to say that there is a lot of wrong information being dished out to people in this part of the world. “It is a certainty that everybody will die one way or the other. Jesus Christ lived for 33years.
His ministry on earth spanned just only three years and all his disciples died in different ways. It is sad that when any celebrity dies in our country, stories of all sorts will spring up about the person”.
Fasanya looked the reporter straight in the eye and said, “I’m aware that there is a version of the story that he is a cocaine pusher. You know that cocaine pushers are always rich. As at the time of his death, he had only N300,000.00 in his bank account.
At least that can be verified. N200,000.00 of that sum was the money paid into his account a few days before his death for a show we were to perform. People alleged that he was a cocaine pusher, yet that man struggled for three years to build the only house he had.” In a sad and low tone, Fasanya said, “can you believe that before his death, his band did not have musical instruments neither did we have a bus like other musicians? Musicians that came after him had instruments and band buses; we had to rent instruments and bus whenever we had any show.
The reason for going to Galaxy Music was because of the house project he started in 2001. “In 2003 he travelled out of the country for the first time since the band started in 1994. He travelled with his band to Germany on a musical tour. We travelled in April and August, 2003 to Germany.
We were together during the trip and we slept in the same room. He went on pilgrimage to Jerusalem in December same year and returned in January, 2004.” In a changed tone, he said, “I want any doctor to prove to me that anyone with burst cocaine in his stomach as alleged by rumour mongers could work weekly and as hard as Baba Ara and lived for the period he did.”
Speaking further, he said, “The Sports Utility Vehicle, SUV, he had was as a result of the sales from his album. I went with the marketer to Cotonou to buy the jeep for him. Imagine a drug peddler using tokunbo car?” Another set of people believed that his death was due to pledge to occultism.
Fasanya’s response to that was sharp, “That’s rubbish. Arrant nonsense! How can you say that somebody who had been in the music industry since infancy only became popular at late 30’s because some occult forces helped him gain fame and then took his life? “I met him in 1990 and from his life history that I am aware of, he had been singing from age six at the Methodist Church, Ago-Oko, Abeokuta. My be-lief is that if you have a vision and you are talented, if you stand firmly by it, you will surely get to your peak.
Indeed, Baba Ara paid his dues as a musician!” he said. When confronted with another rumour linking the cause of his death to the feud between him and the Shepherd of a Celestial Church of Christ Parish. Fasanya sighed and said, “I heard about that story too that the Shepherd who was his bosom friend confessed in London that he killed Baba Ara.
I met the Shepherd when he came back from London after the so-called confession. It is unfortunate that the man too also died about six years ago, but the whole story is totally false.
I have challenged anybody to prove it by providing evidence of the alleged confession. At this age, somebody somewhere would have recorded that confession if it was actually true” He declared that, “for those that peddle the rumours, it is always somebody told me or I heard from someone. Nobody was a living witness of that rumoured confession.
The little I know about that shepherd is that he was a good shepherd and a good fan as well as Baba Ara’s bosom friend till his death.” Some fans of this great gospel musician believed that he had premonition of his death. The belief was hinged on his music messages and lyrics during his lifetime. The producer of Baba Ara did not agree with this school of thought. To him, Baba Ara used his song to remind us of our end as mortals. He said, “The problem people have is due to the message coming from Baba Ara.
If you read the Bible, you will discover that each prophet has his own message. Baba Ara believed that one day, you would die and you should be prepared for it. He was fearless and did not fear death. He used his song as a reminder of the end of us as human beings.
His songs were not about death alone but about praises and wisdom. People often refer to the album ‘The Word’ as their reason for saying so, but he got the message and inspiration from the Bible passages that he read” What can be the cause of Baba Ara death?
Why did he die so young? Why did he die when he was just gaining prominence as a gospel musician? Fasanya disclosed that, “the years we were together, he was always having malaria. He could hardly go for two months without a bout of malaria. In one of his ministrations, he said that death could come through any means. He said it could come through sleep, accident or whatever means. The owner of our soul whenever He needs it, He gets it, no matter where you are.
“The Late Gbenga Adeboye used to say that one who died peacefully while asleep, you cannot really say he died peacefully neither can you say someone who died in an auto accident died terribly because he might have been dead before the crash.
It was time for Baba Ara to die when he did about 10 years ago. He was a man who worked tirelessly and very hard too despite his frail health. Most times, when he was down with malaria, we would still go ahead to perform either at party or other functions. I am sure that you are aware that stress too can kill easily?” He concluded that, “his death did not have anything to do with all the rumours. Rather, it was destined that he would die when he did”.
Culled from National Mirror